Citations Report

Articles published in Global Media Journal have been cited by esteemed scholars and scientists all around the world. Global Media Journal has got h-index 35, which means every article in Global Media Journal has got 35 average citations.

Following are the list of articles that have cited the articles published in Global Media Journal.

	2021	2020	2019	2018	2017	2016
Year wise published articles	60	32	39	68	34	90
Year wise citations received	540	587	497	402	379	323

Journal total citations count	11841
Journal h-index	35
Journal h-index since 2018	24

Uzuegbunam, C., & Ononiwu, C. R. (2018). Highlighting racial demonization in 3D animated films and its implications: A semiotic analysis of Frankenweenie. Romanian Journal of Communication and Public Relations, 20(2), 5-20.

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Granger, B. (2019). Disney’s The Lion King on Broadway (1997) as a Vital Sign for Understanding Civic and Racialized Presence in the Early Twenty-First Century. Reframing the Musical: Race, Culture, and Identity, 35-48.

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Polanco, R. (2010). He's a human, you're a mermaid”: Narrative performance in Disney's “The Little Mermaid. University of North Texas.

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AGUIAR, F. F. D. P. (2014). Jasmine: a representação do Oriente e da mulher sob a ótica da Disney. Rio de Janeiro.

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Bengani, A. Narrative of the Native In the Time of Neoliberal Fundamentalism. Editorial Note.

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Erjavec, K. (2009). The Genre of Media Literacy: A Case Study of Genre Analysis of Disney’s Animated Cartoon–Snow White and the Seven Dwarfs. Dr. Marjan BlaÃÂ¾iÃÂ, 3 dr. Janja ÃÅrÃÂinovic Rozman, 47.

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SUGIHARTO, P. D. (2006). THE IMPORTANCE OF ANIMAL CHARACTERS TOWARD THE PLOT IN PERRAULT’S AND DISNEY’S CINDERELLA (A COMPARISON) (Doctoral dissertation, SANATA DHARMA UNIVERSITY).

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Hong, J. J. W. (2009). GLOBAL STUDIES.

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Granger, B. C. (2014). Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 (Doctoral dissertation, UC Santa Barbara).

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Granger, B. C. (2014). Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 (Doctoral dissertation, UC Santa Barbara).

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Echelle, T. S. (2017). Sketchy traditions: Argentinian sketch comedy from popular theater to television (Doctoral dissertation).

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Fisher, N. R. (2012). Revolutionary Mode: An Analysis of Communist Rhetoric Surrounding the Disney Corporation.

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Aronen, A. (2020). " The Ocean chose me": how disneyfication has affected the Disney movie Moana.

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Almeida, V. R. D. S. F. (2016). Meios de comunicação e mudanças na política: esses homens poderosos e suas máquinas de comunicar.

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Balme, C. (2014). Hamlet im Musical: The Lion King. In Hamlet-Handbuch (pp. 270-272). JB Metzler, Stuttgart.

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Kokol, P. (2013). ANALIZA REPREZENTACIJE ÃÂ½ENSK V DISNEYEVI SERIJI PRINCESE (Doctoral dissertation, Univerza v Mariboru, Fakulteta za elektrotehniko, raÃÂunalništvo in informatiko).

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Tal, T. (2017). Historia infantilizada en películas biográficas de animación: Bolívar, el Héroe y Eva de la Argentina. Amnis. Revue d’études des sociétés et cultures contemporaines Europe/Amérique, (16).

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AGUIAR, M., & ARRUDA, B. ALADDIN, NOITES DA ARÁBIA E UMA PROPOSTA DE ESTUDO SOBRE O ORIENTE PRODUZIDO PELA WALT DISNEY COMPANY.

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Khalil, J. F., & Kraidy, M. M. (2017). Arab television industries. Bloomsbury Publishing.

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Oparaugo, B. (2021). Media and Politics: Political Communication in the Digital Age. Available at SSRN 3780554.

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Citations Report

Uzuegbunam, C., & Ononiwu, C. R. (2018). Highlighting racial demonization in 3D animated films and its implications: A semiotic analysis of Frankenweenie. Romanian Journal of Communication and Public Relations, 20(2), 5-20.

Granger, B. (2019). Disney’s The Lion King on Broadway (1997) as a Vital Sign for Understanding Civic and Racialized Presence in the Early Twenty-First Century. Reframing the Musical: Race, Culture, and Identity, 35-48.

Polanco, R. (2010). He's a human, you're a mermaid”: Narrative performance in Disney's “The Little Mermaid. University of North Texas.

AGUIAR, F. F. D. P. (2014). Jasmine: a representação do Oriente e da mulher sob a ótica da Disney. Rio de Janeiro.

Bengani, A. Narrative of the Native In the Time of Neoliberal Fundamentalism. Editorial Note.

Erjavec, K. (2009). The Genre of Media Literacy: A Case Study of Genre Analysis of Disney’s Animated Cartoon–Snow White and the Seven Dwarfs. Dr. Marjan BlaÃ Â¾iÃÂ, 3 dr. Janja ÃÅrÃÂinovic Rozman, 47.

SUGIHARTO, P. D. (2006). THE IMPORTANCE OF ANIMAL CHARACTERS TOWARD THE PLOT IN PERRAULT’S AND DISNEY’S CINDERELLA (A COMPARISON) (Doctoral dissertation, SANATA DHARMA UNIVERSITY).

Hong, J. J. W. (2009). GLOBAL STUDIES.

Granger, B. C. (2014). Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 (Doctoral dissertation, UC Santa Barbara).

Granger, B. C. (2014). Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 (Doctoral dissertation, UC Santa Barbara).

Echelle, T. S. (2017). Sketchy traditions: Argentinian sketch comedy from popular theater to television (Doctoral dissertation).

Fisher, N. R. (2012). Revolutionary Mode: An Analysis of Communist Rhetoric Surrounding the Disney Corporation.

Aronen, A. (2020). " The Ocean chose me": how disneyfication has affected the Disney movie Moana.

Almeida, V. R. D. S. F. (2016). Meios de comunicação e mudanças na política: esses homens poderosos e suas máquinas de comunicar.

Balme, C. (2014). Hamlet im Musical: The Lion King. In Hamlet-Handbuch (pp. 270-272). JB Metzler, Stuttgart.

Kokol, P. (2013). ANALIZA REPREZENTACIJE Ã Â½ENSK V DISNEYEVI SERIJI PRINCESE (Doctoral dissertation, Univerza v Mariboru, Fakulteta za elektrotehniko, raÃÂunalništvo in informatiko).

Tal, T. (2017). Historia infantilizada en películas biográficas de animación: Bolívar, el Héroe y Eva de la Argentina. Amnis. Revue d’études des sociétés et cultures contemporaines Europe/Amérique, (16).

AGUIAR, M., & ARRUDA, B. ALADDIN, NOITES DA ARÁBIA E UMA PROPOSTA DE ESTUDO SOBRE O ORIENTE PRODUZIDO PELA WALT DISNEY COMPANY.

Khalil, J. F., & Kraidy, M. M. (2017). Arab television industries. Bloomsbury Publishing.

Oparaugo, B. (2021). Media and Politics: Political Communication in the Digital Age. Available at SSRN 3780554.

Erjavec, K. (2009). The Genre of Media Literacy: A Case Study of Genre Analysis of Disney’s Animated Cartoon–Snow White and the Seven Dwarfs. Dr. Marjan BlaÃÂ¾iÃÂ, 3 dr. Janja ÃÅrÃÂinovic Rozman, 47.

Kokol, P. (2013). ANALIZA REPREZENTACIJE ÃÂ½ENSK V DISNEYEVI SERIJI PRINCESE (Doctoral dissertation, Univerza v Mariboru, Fakulteta za elektrotehniko, raÃÂunalništvo in informatiko).